<tc>The Posœnnoïsme</tc>

Brief introduction to the Posœnnoïsm :

(Operation and founding principles of my creative process)

From ancient Greek « poses » (of what size or in what quantity ?) and of « ennoia » (the act of thinking, consideration, meditation, or a thought, concept, conception, or mind, understanding, will, way of seeing and thinking), this neologism, There Posœnnoïa, is defined as follows : It is the measure of the questioning of knowledge, understanding, education, thoughts, concepts, conceptions, understanding, will, spirit, points of view and diverse feelings with the aim of adding them together to disseminate the sum.

« The Posœnnoïsme » is far from being a simple continuity of existing philosophical and artistic currents. It is an addition of dynamic and parallel combinations in Time and Space where each element enriches the whole in a non-subtractive balance. A model in perpetual movement where the Human is anchored in a proactive process. « The Posœnnoïsme » draws its dynamics and principles from the legacies of my past, both artistic and personal, in relation to the present and projected towards the future to create a thought in perpetual evolution. Rather than reproducing, imitating or « neo-do », it aims to absorb, transmute and recompose the elements of knowledge, creation and feelings in an expansive vision of reality. A thought, even a practice, which has been mine since my childhood and which I formalize today to transmit it to you and develop it in the project « Way of Believing » which is planned over 20 years, from 2025 to 2044.

1 The Posœnnoïsme and its thirty-three basic elements

There Posœnnoïa expresses itself as a model and movement through the « Posœnnoïsm ».

The Posœnnoïsme offers us the methodology and the reading grids of the dynamics between three groups of concepts Posœnnoïaux (pillars, tools and gears), in permanent movement which creates operating procedures. Everything is articulated in an inter-independent manner thanks to their meaning, their symbolism and their vibratory energy with the aim of analyzing, creating and/or disseminating. A set of acts of full consciousness and unforeseen events, perceptible or not, which are played out in the moments of the « March of Time » and the friction of the expanse of Space. There Posœnnoïa invites to express oneself well beyond a movement and a thought to become a way of life, or a way of living the vibrational and practical philosophy in one place : « L'Humanus humanitas » (an invitation to live or to embody, In a single conceptual space, the duality between the human in his singularity and humanity in its entirety). Indeed, The Posœnnoïsme can be accompanied by Meditations Posœnnoïal and Agreements Posœnnoïal. Practices that give rise to an experience of the whole in one universe Posœnnoïal : there Posœnnoïamy. Mantra-based universe : Love, Peace, Health, Dignity, Discernment. Of course, to support and bring to life this assembly of human, spiritual and vibrational realities, the Posœnnoïa, strong in all its dimensions, offers us a universe posœnnoïomial: POSŒNNOMIA. A « universe places » relating to the harmony of the singularities of the whole, both physical and virtual with all their expressions.

So here are our thirty-three concepts in summary (each will be the subject of a specific in-depth study).

1.1 The founding neologism

There Posœnnoïa, (guide number 1) : It is the measure of the questioning of knowledge, understanding, education, thoughts, concepts, conceptions, understanding, will, spirit, and points of view with the aim of adding them up to disseminate the sum.

From ancient Greek « poses » (of what size or in what quantity ?) and of « ennoia » (The action of thinking, consideration, meditation, or a thought, a notion, a conception, or even the mind, the understanding, the will, the way of seeing and thinking), this neologism translates a reflection on the accumulation, the construction, the relation, the connection, the confrontation and the addition of ideas and feelings in order to create, to diffuse and to share.

Guide number 1: It is the Principle of original Unity, of the first Being. It is the indivisible, the starting point. It symbolizes identity, self-awareness, singularity.He represents La Source, the one Divine, the primordial energy from which everything proceeds. It is pure will, the spark before form, the breath before sound.

The 1 is centered, self-referential, radically active. It can begin without depending on anything else, but it can also close in on itself if it is not connected.

1.2 The Four Pillars Posœnnoïal

ReZonans (element AIR - totem DRAGONFLY - guide number 22) : A linguistic construction dating from 2019 and which draws its root from the Creole term « rezon » (which means both reason and intuitive logic), and which develops its dynamic through the symbolic value of two letters always in capitals : « R » And « Z ». A dynamic of vibrational and interconnected back-and-forths that connects the individual to his environment, his history, his stories, his consciousness, his subconsciousness, his unconsciousness, his breath, his mind and his soul, in a perpetual movement of transformation and harmony. A concept where everything vibrates with and in relation to everything else. It is evolution in the Instant.

Peroptissimism (element FIRE, totem PHOENIX, guide number 11) : an embodiment of the fusion of opposing but complementary energies, reflecting a constructive break from our usual postures. This neologism creates a space in which rational analysis and faith in evolution meet, leaving an essential place for humans as active actors in their dynamics in the face of the apparent realities of the world, and their impact on it. An interaction more than resilience. In this linguistic approach, The Péroptissimism positions itself as a living concept. Pessimism, Realism, Optimism and Hope become -issim- (issimus in Latin, -issimo in Italian, -ísimo in Spanish), in a fertile tension where each syllable of the word acts as a unit of meaning, reminding us that each element is essential to understanding the whole. This is the engine of deconstruction-Reconstruction through surpassing.

Illusion (WATER element, MERMAID totem, guide number 6): An active fluctuation between perception and reality. It is a moving interface that allows us to explore new dimensions of meaning and to question the subjective prisms through which we perceive the world. Illusion is far from being a simple deception or an alteration of reality. It is seeing and looking at the Multiple-plural.

Aliœvolution (element EARTH, totem TREE, guide number 4) : A neologism which specifies and brings together two fundamental concepts which are:« Alio- » meaning « other » Or « different », And « evolution », which refers to a dynamic of continuous adaptation and renewal. It is based on a key principle: evolving with and through otherness, integrating flexibility, openness and transformation, while maintaining a strong anchor (identity, cultural, philosophical or other), which allows one to navigate change without getting lost. It is the evolution in Time.

Functional representations:

1.3 The Four Tools Posœnnoïal

These are keys to exploring, questioning and acting on or with the pillars Posœnnoïaux. Each tool Posœnnoïal is linked to a conceptual ideogram and its functional representation and to a guide number:

Superposition of perspectives, (guide number 8) : A concept based on the idea that reality cannot be perceived through a single prism. Instead of adopting a linear and hierarchical view of knowledge and experience, Superposition of perspectives allows us to simultaneously embrace several interpretations, several perspectives and several dimensions of reality, without favoring one to the detriment of others.

Multiple instantaneous, (guide number 9) : A concept that allows us to perceive the simultaneity of experiences, temporalities and points of view in a world in constant movement at a given moment. It embodies an approach where each moment is enriched by the superposition of its multiple perceived or unperceived dimensions.

Synchrêtic addition, (guide number 10) : A concept that defines a dynamic integration process and allows for the recombination of diverse cultural, philosophical, and artistic elements without seeking to standardize them. It is not built on a juxtaposition or fixed assembly of influences, but is based on an additive and expansive logic that aims to enrich thought, creation, and human experience.

Plural subject, (guide number 3) : a concept that describes an entity in perpetual recomposition. It is not defined by a fixed identity, but by an assemblage of experiences, memories, and projections into the future. Each individual is a sum of moments, of thoughts that are juxtaposed and transformed according to contexts and interactions.

Functional representations:

These are modules of a transversal dynamic of back and forth, or amplification, in which accumulation feeds refinement and vice versa. This dynamic is the basis of the mechanism of mobility of tools Posœnnoïaflow on the movements of the base formed by the pillars Posœnnoïaux. Each gear Posœnnoïal is linked to a conceptual ideogram and its functional representation and to a guide number:

Gear Posœnnoïac (adjective qualifying obsession, guide number 26) : an insatiable quest for meaning, an exhaustive exploration of knowledge and perception. It is characterized by an almost obsessive desire to accumulate, to intertwine. It is a conscious search for cultural, historical, social, and identity appropriations and distances by mixing as many disciplines as it deems useful for the study of a theme, from an idea to any other project submitted to its approach Posœnnoïac.

Gear Posœnnoïc (adjective qualifying the purity, guide number 28) : an approach that seeks to reach the essence of an idea, a moment or an emotion by eliminating the superfluous to reach its quintessence. Unlike a simplification that impoverishes, it aims for a condensation that intensifies the perception and impact of the message. It is a quest for purity, where each element is carefully chosen to maximize its expressive potential. In Art Posœnnoïc, simplicity is not a reduction of an idea to a mere part of its whole, but the creation of an essential element defining the entirety of the idea.

Functional representations:

1.5 The eighteen operative modalities or the Fundamakers

These are energetic and vibratory emanations which come to life and feed the motor and generative capacity of the system Posœnnoïal and act as active and interactive principles of the dynamic and permanent movement between tools, pillars and gears.This movement constantly creates processes of system adaptability Posœnnoïal in a short time, an average time and a long time, in a more or less conscious manner for the person who uses it without breaking its coherence : The operating procedures, each associated with a conceptual ideogram and its functional representation and a guide number. Here are the 18 main ones which are at the birth of the Posœnnoïsm :

There Expanded temporality, (guide number 13) : An approach that transcends the limits of linear time to include past, present, and future in an interactive vision. It allows for the exploration of resonances between different temporal layers and scales. It is the fluid continuity and dynamic integration of past, present and future.

There Broken out temporality, (guide number 12) : An approach where elements of the past, present, and future coexist in apparent disorder. A fragmentation of time whose pieces intertwine randomly, deconstructing the narrative and creating paradoxes. It is a rupture and chaotic simultaneity..

The Stratification of Experiences, (guide number 25) : A dynamic construction creating layers of in-depth knowledge. A memory where experimentation and reinterpretation nourish each other without diminishing each other..

THE Determinisme of choice, (guide number 19) : A concept that emphasizes the transformative power of our decisions. This underscores the importance of personal responsibility and awareness in decision-making, as our choices are not just responses to circumstances, but creative acts that shape our future..

L'Critical adaptability, (guide number 23) : An approach that relies on the ability to evolve without dilution and on the reorganization of a conceptual or practical framework without altering its essence. This is part of a process of self-analysis to avoid dogmatic inertia. It is not simply a matter of passively adapting, but of restructuring one's principles according to the context..

L'Open adaptability, (guide number 32) : An approach that relies on the ability to evolve without dilution and on creation new conceptual or practical frameworks. This involves a process of dissolving paradigms and integrating the unexpected as a driver of change. It is no longer a matter of reorganizing but of creating new models in response to the context.

There Introspective awareness, (guide number 18) : A deep and lucid awareness of oneself, one's thoughts, emotions, behaviors, and internal mechanisms by analyzing them. Overcoming the automatic nature of unconsciousness to reach a higher level of lucidity.

There Dynamic awareness, (guide number 15) : A force that refuses to give in to the apparent impossibility of certain projects and seeks to circumvent obstacles through creative approaches. It views crises as opportunities for change and transforms into innovation what previously would have been an attitude of waiting, blind faith in a better tomorrow.

There Vibratory consciousness, (guide number 30) : A way of thinking about consciousness no longer as a « thing », but as a « wave » : a dynamic modulation that radiates and transmits its strength. This allows one to refine one's sensitivity to invisible energies and flows, promoting harmony with the world and others.

There Structuring lucidity, (guide number 16) : An invitation to adapt one's strategies to concrete conditions while maintaining a vision that transcends immediate limitations. The goal is the fundamental element in this attitude that allows one not to give up and to build viable projects without abandoning one's fundamental values.

There Structuring lucidity, (guide number 16) : An invitation to adapt one's strategies to concrete conditions while maintaining a vision that transcends immediate limitations. The goal is the fundamental element in this attitude that allows one not to give up and to build viable projects without abandoning one's fundamental values.

THE Decisive myrtle, (guide number 2) : A concept that defines the subtle balance between firm decision-making and inner harmony. It is neither blind haste nor paralyzing hesitation, but a choice rooted in a deep and fluid understanding of reality. Myrtle, a plant associated with peace, wisdom, and love, with its perpetual greenery and supple branches laden with fragrant flowers, lends its solidity, grounding, flexibility, and abundance to decision-making.This is about no longer passively accepting the facts: a move beyond the Myth of Sisyphus.

The Mirrors Posœnnoïaux, (guide number 31) : A vibrational bridge between the visible and the invisible, between what is perceived directly and what can only be perceived through its reflection. A modality of reinvention, allowing us to see what we are becoming, and not only what we have been. A window onto hidden realities, an interface between the unknown and the observable. A rudder allowing us to navigate between different layers of reality by constantly adjusting our perspectives.

There Neotaxy, (guide number 5) : A neologism that designates an orderly transformation by not rejecting previous structures, but making them evolve according to an interactive and adaptive dynamic.

The term Neotaxy is formed from :

• Neo- (from the Greek neos: new, renewal), which emphasizes the emergence of a new organization from the old. A reconfiguration without destruction.
• -Taxis (from the Greek taxis: order, arrangement), which designates a structure, fluid and adaptive, which evolves according to circumstances while maintaining coherence. It is creative recombination in Time.

L'Evolutionary identity, (guide number 20) : A conception of a constantly evolving self, influenced by varied interactions and experiences, rejecting fixed categories. It is part of a dynamic of creative transformation and cultural exaltation.

Exploration of the Unknown, (guide number 7) : An invitation to go beyond the boundaries of established knowledge. It fosters innovation by embracing and embracing uncertainty and surprise in the process of development, evolution, and creation. This is the « and why not? »

Functional representation of operational modalities:

1.6 The Two Practices Posœnnoïal

The Meditations Posœnnoïal, (guide number 14) : A specific practice in Posœnnoïsm, which does not aim to achieve a state of mental emptiness or pure relaxation, but to delve into the complexity of reality, simultaneously integrating contradictions, resonances and superpositions of perspectives. The Meditations Posœnnoïal allow to articulate, regulate and rebalance the pillars and tools of the Posœnnoïsm through an immersive and transformative practice. It is the system for preserving the integrity of the system regardless of the impactful modifications.

Agreements Posœnnoïal, (guide number 29) : A set of regulatory principles of the Posœnnoïsm, aiming to guide thought and action according to an evolutionary logic, allowing each individual and collective to adapt without losing their identity, cultural or other anchoring.

• Let your resonance be conscious (Pillar ReZonans)
• Make the breakup a lever for transformation (Pillar Peroptissimism)
• Learn to navigate the illusion (Illusion Pillar)
• Evolves with and through otherness (Pillar Aliœvolution)

Functional representation :

So, the system Posœnnoïal can adapt to influences.
A system based on the elements and governing them.

1.7 The two universes of the Posœnnoïa.

The Universe Posœnnoïal and the Posœnnoïomial Universe are sets of experiments, studies and practice of all the expressions, all the possibilities and values ​​that engender the Posœnnoïa and who support it.They are each associated with a conceptual ideogram and its functional representation and with a guide number.

· A Universe Posœnnoïal :

There Posœnnoïamy, (guide number 33) : Refers to the organization, tradition, study and practice of the set of values ​​and principles of the Posœnnoïa. A place where expansion and condensation meet to create a dynamic balance of the perpetual movement of space-time in an interrelation of the material and the immaterial, the animate and the inanimate, the visible and the invisible, the body, the mind and the soul. In love, peace, health, dignity and discernment. On all planes of existence that constitute the quest for meaning and personal and/or collective evolution. « The Posœnnoïsme » is the ideological, philosophical, artistic, scientific and esoteric movement offering the necessary methodology and reading grids. – Everything is in everything (Anaxagoras) – This is the framework for structuring and transmitting the principles Posœnnoïaux.

· A Posœnnoïomial Universe :

Posoennomy, (guide number 21) : Conceived as a parallel world where the full and complete practice of Posœnnoïamy. It could be a physical place dedicated to study and experimentation. An open space in a natural, inhabited and habitable setting. It could be a typical game « Arcane » both physical and virtual. Or any other support/surface expression of the Posœnnoïamy. It is the field of applied experimentation and manifestation of possibilities..

Functional representation :

Talisman

2 Simplified diagrams of the System Posœnnoïal :

The diagrams presented here are fixed and simplified models to illustrate the principle at a given functional moment and for a given singular element (for example a person). The System Posœnnoïal is composed of Functions Posœnnoïales. The System Posœnnoïal is the whole of mechanics, The Posœnnoïsme it is the expression of the entire system Posœnnoïal.This is the System Posœnnoïal which creates operational modalities, internal or external, by its permanent movement, the whole being interactive and this whole is The Posœnnoïsme. Here is the conceptual ideogram of « Posœnnoïal » (adjective which also serves to qualify the entire movement), as well as its functional representation:

Furthermore, we will attribute to there Function Posœnnoïale a conceptual ideogram and its functional representation:

2.1 Function Posœnnoïale « Base » - Oscillation markers: Pillars Posœnnoïal

It should be remembered that the Functions PosœnnoïalThey are not fixed and we give a simplified schematic representation in 2D to illustrate the general idea of ​​the interactive relationship internal to each pillar and between the pillars: It is the dynamics which serves as a base (oscillation markers) for the tools Posœnnoïaux and their achievements.

2.2 Functions Posœnnoïalis « tools » :

Diagram of gear-tool interaction

The Function Posœnnoïalwhich sets each functional tool in interactive motion, is a dynamic between tools and gears. From the activation of these complementary energies that are accumulation and purification and their action on each tool, a perpetual movement is born which will be maintained both between the Functions Posœnnoïalthe tools and the Function Posœnnoïalthe base.

2.3 System Posœnnoïal

Closed system

Open system

Here we always represent the System in a simplified way Posœnnoïal closed then opened It is understood that the System Posœnnoïal is neither « Farm » neither « open », it is in permanent movement in a dynamic Neotaxic which allows it to react to its environment and its own functional realities: anchoring and evolution, TheAliœvolution.

3 Neologisms not defined above

Synchrêtic : Expresses an evolutionary process of reciprocal integration, where each component activates and readjusts itself in a voluntary or natural but above all modular resonance.

The term « Synchrêtic », as well as its derivative « Synchrêtism », in its operative sense Posœnnoïal, THE Synchrêtism is based on a root rich in two complementary dimensions, from ancient Greek:

:

• « Syn- » (sin) : prefix meaning together, with, in union, expressing the idea of ​​convergence and interaction.
• « Chrê- »
  • chrē), which is an fimpersonal elm meaning « it's necessary », « it is appropriate ». Refers to an oracular or deontological dimension: not only can one use, but one should use it according to an internal or external necessity.
  • chroomai (chraomai), which means « use », « use », « take for one's own use », « provide what is needed » ; sometimes also « give an oracle »

So, « chrê » evokes an intentional activation of language: shaping, choosing, adjusting words, structures and rhythms with a view to a vibrational transformation. Like the hand that shapes, the word in the Synchrêtism East conscious, structuring, ritual, and operative movement.

We find this dynamic in the compound verb συγχράομαι (sugchraomai), which is formed from σύν (sun/syn, “with”) + χράομαι (chraomai), this term means « to be used together », « make joint use », Or « to deal with, to deal with ». it indicates a shared action, a common use, an operative relationship.

• The nuance

Unlike syncretism (from the Greek συγκρητισμός - synkrêtismos), which initially referred to a temporary alliance between Cretan cities, before designating, in modern usage, a passive fusion or superposition of disparate elements - often with religious connotations - which coexist without real internal transformation. It is generally a process of exogenous adaptation, where a dominant culture imposes a form of formal hybridization on a dominated culture.

THE Synchrêtism, unlike syncretism, is based on a conscious, necessary and shared use. It activates a poetic co-practice of language, where influences become synchronized, that is to say, they vibrate together, according to a transformative, alchemical and structured logic.

Fundamakers : Refers to an anchor point, or rebound node, created by the movements of the System Posœnnoïal, and serving as dynamic pivots to structure and initiate new interactions. It is not a fixed base, but an evolving principle that emerges from transformations and generates movement in turn, favoring adaptive continuity.Built from Fundamentalstal and Fondator :

• « Fundamental » evokes what is essential, what constitutes the basis of a system, a thought or a construction.
• « Founder » refers to the person who initiates, creates or establishes a structuring framework.

The 18 basic operating modalities of the Posœnnoïsm are elements Fundamakers.

Extratinrior : Designates a space where the boundaries between interior and exterior become smoke. Movement generates a communication between the imagination, contemplative observation and questioning. It emits vibrational responses, which can be stated or not, leaving room for a dynamic of malleable and evolving expression. It is the space of dynamic oscillation between introspection and contemplation. Resulting from a linguistic and conceptual fusion:

• Extrat- : Ifrom « extracterrestry », evokes what goes beyond, what exceeds a given framework, opening onto dimensions beyond the immediately perceptible.
• -Interior- : Derived from « inyoulaughing », where the « you » has been removed to favor a vibratory dynamic and a sensitive phonetic modulation. This removal reinforces the malleability of the term and its anchoring in an evolving and immersive thought. « Interior » suggests an interiority in dynamic relation with its exterior, an internal space that is not fixed, where the accumulation of experiences and perceptions shapes a resonant depth.
• -Orial » of extratinriorialization comes from the notion of territorial and not from the radical of the adjectivalization « al ». In the dynamic Posœnnoïale, this refers to the aspect of the extent of the vibratory territory of the elements without conscious will.

As part of the Posœnnoïsm, Extratinrior embodies an expanded modality of perception, an ability to simultaneously feel immanence and transcendence, the visible and the invisible, the individual and the collective. It defines a state of being where sensory and cognitive experience is not confined to a strict interiority, nor is it totally diluted in an absolute exteriority, but oscillates in a dynamic and vibratory continuum.

Extratinriorial : Refers to the capacity of a work of art or an object (or any other material element) to vibrate beyond its materiality and the process of interaction that it generates with its environment.

4 In summary

The approach PosœnnoïalIt allows us to explore an evolving interaction, where art is not just analyzed, but becomes a field of sensory and conceptual experimentation.It gives works an additional dimension, which goes beyond aesthetics to offer a renewed and constantly under construction mode of perception. Art, and more precisely the creation of works of art, becomes the laboratory ofAliœvolution and other pillars of the Posœnnoïsm. Art and the work of art become operators of Vibratory consciousness through the implementation of dynamic and introspective awareness.

In the next publications we will discover how The Posœnnoïsme thwarts the classical notion of support and surface by introducing a dynamic and vibratory relationship into the field of Visual Arts. We will discover that the support is no longer a fixed base but a dynamic vibratory field, that the surface is no longer a simple projection space but an evolving manifestation of vibratory interactions and that colors are not just pictorial elements, they are vibrant and structuring entities of perception.

It is with this aim of writing my art that I undertook to formalize my creative process. As I progressed, it seemed essential to me to put my own words, notions, and concepts on my thoughts and visualizations. Concepts immanent to what I have lived for more than 40 years and that I have put into practice for more than 20 years of artistic career. Hence the importance of defining them well.